Heavyweight paper, archival inks, real wood frames, and a human designer who signs off before press. The kind of finish you keep for years, not a thing you scroll past.
200gsm
Archival
Everyprint
Most online posters are printed on coated 170gsm photo paper. It looks fine in a photograph and feels thin in your hand. We use 200gsm fine-art paper with an uncoated matte surface. Heavier, softer, and closer to what a gallery would frame.
The matte finish kills glare from any angle, so the piece reads clean under a window or a lamp. The uncoated stock ages the way printed art is supposed to age: by holding its colour, not by yellowing.
Archival is a technical word that means a print holds its colour for decades, even in indirect daylight. We use the same pigment-based inks museums use for limited editions. Deeper blacks, truer skin tones, no shift to magenta over time.
Same inks land on the canvas and inside the frame. A piece you buy this year still reads the same way in ten.
Every order pauses at our studio for a quick designer review. We check the crop, the colour, the lighting on your pet's face. If something looks off, we re-render before press, no charge and no extra wait.
It's the step every print-on-demand shop skips. It's the reason ours hang straight.
Yours, Theo.
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